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woodezine - Volume
II - Issue VI - June 2004
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Carver of the Month
(Our thanks to the artist for his permission to use the images
and text in this article.
All content on this page is Copyright © 2004 Ian G Brennan, all rights reserved.)
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Ian G. Brennan Born in Dover, Kent, in the United Kingdom in 1950, Ian became a professional sculptor in 1984. His work appears in Windsor Castle, Westminster Abbey and various museums, boardrooms and private collections all over the World. In 1989 Ian was appointed "Sculptor to the Most Noble Order of the Garter and Honourable Order of the Bath" and now spends around three months of each year on a wide variety of commissions in both wood and bronze for the British Royal Household. He also has completed commissions for King Juan Carlos of Spain, Queen Beatrix of the Netherlands, King Harald V of Norway and Emperor Akahito of Japan. |
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Over the years, Ian has worked on a large variety of commissions, which have been as varied as producing a life size "Osprey catching a Pike" bronze for a fountain, to spending several months carving the scrollwork on Lord Nelson's Flagship HMS Victory. Ian has created a life-size statue of the "Risen Christ" for a local church and an 8 foot "Bald Eagle in Flight" sculpture for an American Corporation. (The eagle was carved from the fork of a 150-year-old lime tree). As well as his original wood sculptures, Ian also produces limited edition bronze sculptures with wildlife subjects and birds of prey as a particular specialty. These woodcarvings and Bronze sculptures are all produced in very fine detail with many of the wood sculptures being produced from a single piece of wood. Although he has exhibited his wood and bronze sculpture in the past (including showings at some of the finest art galleries in London), nowadays he prefers to work on commission. |
| Each of his pieces are signed, numbered and dated, and are "carved from the finest timber, produced with the utmost skill and care, whether the client is a private individual, corporation or one of Ian's commissions for the Royal Household". At present, a lot of his wood sculptures are being carved from the same lime tree, which grew in a small village in Somerset, Southern England. This massive tree blew down in winter storm winds. Ian has recently finished seasoning it. He generally uses hardwoods such as walnut and lime wood, both of which carve extremely well and can also hold very fine detail. |
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Ian started using wood as a medium for his sculptures in 1984, enjoying the challenge of carving from a single solid block. In 1996, he began to cast in bronze and, occasionally, silver. When appropriate Ian still produces the original master copy for the bronze casting in wood, which is then moulded to produce the bronze sculpture. This highly detailed woodcarving 'master copy' can then be polished and retained as a unique sculpture. This is unlike the normal method of working where the master copy of the sculptor is usually produced directly from clay or wax, which is then often destroyed during the moulding process at the foundry.
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| Ian often works on a number of completely different types of sculptures throughout the week, in his studio in southern England. Perhaps one day you would find him carving a life size "Swimming Otter" from wax, for a bronze, and the next day creating a jewel-encrusted Crown for a Queen in lime wood. He finds the contrast enables him to work on each particular commission completely afresh. Coloured patinas added to the bronze can give the distinctive appearance of marble to the metal, with a warmth and living quality. This is particularly true for the finish of bronze wildlife sculptures. |
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Preparations on a 7 foot tall bald eagle, called "By the Dawns Early Light", were started in early 2002. Huge slabs of seasoned lime wood were brought inside the studio to acclimate. However, during the following months, the larger seasoned timber was slowly "borrowed" for urgent commissions... until the timber had almost disappeared! It wasn't until almost a year later that the missing larger pieces of seasoned timber were eventually replaced, and work on the sculptor was resumed. However, work is not likely to really start full-time on the seven feet high version until the end of 2004. One of Ian's most recent completed commissions was a ten foot wide relief carving of the village of Warsash in Hampshire. It was carved from lime wood and was recently placed above the Vestry in the centuries-old village Church, and it shows various landmarks throughout the village. |
| Ian also has been commissioned by the Museum Service and the Ministry of Defence for a variety of historic projects which have included restoring and replacing sections of the carved Victorian oak panels for the Winchester Council Chambers and the Southampton Guildhall. He has carved a life-size lion figurehead and spent several months working on Lord Nelson's flagship, HMS Victory. He has carved all the replacement intricate scrollwork around the entrance port on the middle gun-deck on this unique cannon warship, which was built in 1765. |
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More recently Ian has been working at Southwick House at HMS Dryad, General Eisenhower's Allied Headquarters in Southern England during WW II (where D-Day was planned). He has been restoring and replacing detailed carvings on antique mirrors and picture frames. He also has produced sculptures for company logos, ads and trophies. These have included the Heraldic Lion logo sculpture for Chivas Regal Whisky, and the Trophy for the Scotland V Barbarians International Rugby Cup Final. |
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Ian has been producing carved and painted Coats of Arms and Crests from designs and sketches provided by clients, in both wood and bronze, for nearly twenty years. His heraldic sculptures can be seen in such historic settings as The College of Arms in London, St George's Chapel in Windsor Castle and the Henry VII Chapel in Westminster Abbey. |
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"The College of Arms is one of the few remaining heraldic courts in Western Europe," Ian says. "And it is now the oldest existing such College in the world. It has been granting armorial bearings (coat of arms) from their original building in London since the 1670s." While that may seem like quite a record, our guess is that the exquisite work of master carver Ian Brennan will be treasured for a whole lot longer. |